"If the rate of change on the outside exceeds the rate of change on the inside, the end is near." Jack Welch
"All of us failed to match our dreams of perfection. So I rate us on the basis of our splendid failure to do the impossible." William Faulkner
"There's a saying among scientists, that you don't know you've got a really good idea until at least three Nobel laureates have told you it's wrong." Paul Lauterbur
Today's image: Learn to Fly by illeromela. Beautiful shot. Thank you for sharing.
The brilliant Bob Henabery, my creative godfather, often suggested to me that to understand the contrarian mindset one must be able to grasp "driving on the other side of the road." He was right.
Another mentor, the gifted genius Jim Yergin, frequently called me out on my use of metaphor, to wit: "By using analogy, injecting metaphor, what you are doing is avoiding the hard work of thinking. It tells me that you have not developed your thought to the point that you can articulate it clearly without secondary reference." He was right.
2010 should be a time of incredible opportunity for broadcasters. A game-changing moment when the most creative people working in professional audio and video take charge and take the lead in the brave new world of digital, always on audio and video. After all, they have an urgent need to make something happen.
Instead, we are witness to those without professional broadcast provenance taking charge: Pandora leads the emerging music audio space and YouTube leads the space that is becoming the new video.
How did it happen that broadcast professionals witnessed the take off and have continued to watch the early flight of these new players without mounting any significant response? What has enabled these amateurs to succeed, to make progress while the incumbents, the broadcasters, have, or so it may be argued, simply watched?
My sense is Pandora and YouTube have dared to dream.
They are learning to fly right before our eyes (and ears). What were once dismissed as "pigs on the runway" have taken flight and they're now on the radar.
While they may represent the best known entrants into the new audio and video spaces, they are not alone, they're only two of the increasing many that share a charter - reinventing media and radically changing the mediascape as we know it.
Next, I will offer a point of view and some suggestions for how broadcasters can and should move forward in this brave new world. As always, your comments are welcome and encouraged.